![]() ![]() ![]() Whether it’s DaVinci Resolve, Premiere Pro, or After Effects, people are creating LUTs just for your specific needs. With so much at our fingertips, we are able to use them in a lot of different programs. LUTs are not only extremely versatile, but they also aren’t software specific. Being able to match those colors is a lot simpler with LUTs instead of trying to adjust your hues, contrast, and saturation on your own. Cameras have different sensors, and different native settings, and handle colors differently depending on the brand. Using LUTS is also a wonderful way to match your cameras. We are all busy these days and having to learn the ins and outs of how to color grade, especially when we’re on a time crunch, is not how we want to spend our time. Not only does it save you a lot of time in color grade, but it also alleviates you from having to purchase and learn how to use expensive software. Do you have a favorite movie that you love the color on? There is probably a LUT for that specific film look. Using LUTs in film is the perfect way to jumpstart your color-grading as well as being able to replicate your favorite movies and shows. Let’s go a little bit more in-depth with how they work. I’m talking about the filters that change the hues and colors of your image. Think of it like an Instagram or Snapchat filter. In filmmaking, it is referring to shortcutting your camera footage from being flat, to your final result once it’s colored. ![]() ![]() A LUT, or lookup table, refers to a series of numbers to shortcut you to a specific outcome. ![]()
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May 2023
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